Melvyn Evans b. 1958

"I'm interested in how communities navigated their landscape using these local reference points often giving them characteristic names some of which have now lost their meaning but all give us an insight into the past. I'm also interested in how our understanding of the landscape as being permanent has recently altered, we have moved from being in awe of the landscape to being able to influence the landscape in such a way as to produce irreparable change. The stumps of great forests fossilised and exposed at particularly low tides give us a glimpse of lost causeways like Doggerland hinting at previous upheavals and give us an understanding of the fragility of the landscape we know."

If there’s one thing the work of Melvyn Evans conveys it’s his love for the British countryside. Through the considered use of colour and shape, his paintings and lino prints embody a sense of place while exploring the bond between human endeavour and the landscape’s dramatic, natural backdrop. 

Initially trained as a marine engineer – spending time working on submarines – Melvyn Evans studied illustration at Exeter College of Art and Design, followed by a year at Goldsmiths College, London. He then took up drawing classes at the Royal College of Art under the tuition of Bryan Kneale RA. He became a professional artist, printmaker and illustrator in 1992. Evans has developed a signature style of strong, bold imagery, with inspiration coming from artists such as Edward Bawden, Eric Ravilious, Henry Moore and the St Ives School. His work has been widely exhibited throughout the UK, including at the Royal Academy, the Royal College of Art and Somerset House.