Ben Nicholson OM English, 1894-1982
St Ives from Trezion (Lafranca 43), 1967
Etching printed with tone, on wove paper, deckle edges to 4 sides, with the printer's blindstamp.
Signed, dated and editioned in pencil.
Plate size: 17.5 x 27.5 cm.
Sheet size: 27 x 37.8 cm.
Frame size: 38 x 48.5 cm.
Sheet size: 27 x 37.8 cm.
Frame size: 38 x 48.5 cm.
From the edition of 50
29012021
Copyright © The Estate of Ben Nicholson
Further images
This scarce, fine etching depicts the view from Ben Nicholson's St Ives home, Trezion, which he moved into in 1951. Situated at the top of a steep alley called Salubrious...
This scarce, fine etching depicts the view from Ben Nicholson's St Ives home, Trezion, which he moved into in 1951. Situated at the top of a steep alley called Salubrious Place, the vantage point provided Nicholson with a panoramic view over St Ives, the Cornish town which he had been painting since as early as the 1920s. But this new perspective of St Ives, depicting the higgledy-piggledy arrangement of rooftops, lent Nicholson a fresh and fun vehicle to work with. With his strong sense of line and perfectly delineated shapes, Nicholson has created an image grounded in geometry, like a number of his masterpieces from the 1950s and '60s.
There is almost a relief format to the work, effectively pushing the rooftops out of the picture plane towards the viewer and creating a strong sense of depth and perspective. In one sense representational, the recognisable forms have been simplified to their most basic outlines creating a pure image of semi-abstraction.
An example of this rare portfolio edition of 50 is held in the collections of the Tate Britain Gallery, London, and the British Council Collection.
There is almost a relief format to the work, effectively pushing the rooftops out of the picture plane towards the viewer and creating a strong sense of depth and perspective. In one sense representational, the recognisable forms have been simplified to their most basic outlines creating a pure image of semi-abstraction.
An example of this rare portfolio edition of 50 is held in the collections of the Tate Britain Gallery, London, and the British Council Collection.
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