Victor Pasmore CH CBE British, 3 December 1908-23 January 1998
Victor Pasmore CH CBEThe World in Space and Time I, 1992etching and aquatint in colours on wove paper, with full
marginssigned, dated and numbered 78/90 in pencil,sheet size: 64.5 x 192 cmedition number 78 of 90Sold
Victor Pasmore CH CBEUntitled (Lynton G.52) , 1989silkscreen print in colours on Arches paper, the full sheetsigned, dated and numbered in pencilimage size: 70 x 101 cm
sheet size: 85 x 141 cmedition number 7 of 70
Victor Pasmore CH CBEBlue Fantasy II (T.&H. G.34), 1986silkscreen print in colours on wove paper with full marginssigned, dated and numbered in pencilimage size: 64.5 x 74.5 cmedition 39 of 70
Victor Pasmore CH CBEMilky Way (Lynton G.33) , 1986silkscreen print in colours on wove paper with full marginssigned and numbered in pencilimage size: 59.5 x 73 cmedition number 32 of 70
Victor Pasmore CH CBEPoints of Contact no. 37 (T&H G.16), 1982silkscreen print in colours on wove, with full margins, with the printer's blindstampsigned, dated and numbered in pencilimage size: 66.5 x 33 cmedition number 33 of 70
Victor Pasmore CH CBELinear Development 2, 1970screenprint in colours on wove paper with full marginssigned and dated in ink,
numbered 44/60 in pencilimage size: 42 x 42 cm44/60Sold
Victor Pasmore CH CBEThe Space Within, 1982etching and aquatint in colours on wove papersigned, dated and numbered 75/90 in pencil to the marginplate size: 98.5 x 197.5 cm
sheet size: 119 x 247.5 cm75/90, aside from 15 Artist's Proofs
Victor Pasmore CH CBEIl Labirinto della Psiche, 1986etching and aquatint printed in colours, on Fabriano paperinitialled and dated in pencilplate size: 76 x 111 cm
sheet size: 98.5 X 159.7 cm7/90, aside from 15 Artist's Proofs
Victor Pasmore was born in Chelsham, Surrey, on 3 December 1908. He studied at Summer Fields School in Oxford and Harrow in west London, but with the death of his father in 1927 he was forced to take an administrative job at the London County Council. He studied painting part-time at the Central School of Art and was associated with the formation of the Euston Road School. After experimenting with abstraction, Pasmore worked for a time in a lyrical figurative style, painting views of the River Thames from Hammersmith much in the style of Turner and Whistler.
In the Second World War, Pasmore was a conscientious objector. Having been refused recognition by his Local Tribunal, he was called up for military service in 1942. He refused orders and was court martialled and sentenced to 123 days imprisonment. The sentence qualified him to go to the Appellate Tribunal in Edinburgh, which allowed him unconditional exemption from military service.
One of the first exhibitions in which his works feature was held at the Zwemmer gallery, London 1934. His works were influenced by Monet and Cézanne.
His break into abstract art was inspired by the artists Piet Mondrian and Paul Klee.Their writings feature nature and the creation of a dynamic harmony in art which stood for the future harmony of society.
Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".
In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists.
Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Ernő Goldfinger and Helen Phillips. Pasmore was commissioned to make a mural for the new Newcastle Civic Centre. His interest in the synthesis of art and architecture was given free hand when he was appointed Consulting Director of Architectural Design for Peterlee development corporation in 1955. Pasmore's choices in this area proved controversial; the centerpiece of the town design became an abstract public art structure of his design, the Apollo Pavilion. The structure became the focus for local criticism over the failures of the Development Corporation but Pasmore remained a defender of his work, returning to the town to face critics of the Pavilion at a public meeting in 1982.
CORNUCOPIA9 Sep - 9 Nov 2017The award-winning Porthminster Gallery celebrates the rich autumnal bounty of original art with its latest curated selling show in St Ives. A ‘cornucopia’ of delights – a visual feast –...
Collect | Modern St Ives + British ArtMay 21, 2016A specially curated selling exhibition of collectable artworks by major St Ives and British names. The exhibition will also feature new sculptures by Margaret Lovell and Peter Hayes, and paintings...