Tony Scrivener English, b. 1944

Works
  • Fruit Bowl/Grey Cloth
    Tony Scrivener
    Fruit Bowl/Grey Cloth
    oil on canvas
    signed
    canvas size: h. 26 x w. 23 cm
    frame size: h. 42 x w. 39 cm
    £ 750.00
  • Red Bowl and Fruit
    Tony Scrivener
    Red Bowl and Fruit
    mixed media on paper
    signed
    paper size: h. 13.5 x w. 16 cm
    frame size: h. 38 x w. 41 cm
    £ 550.00
  • Pear on Plate
    Tony Scrivener
    Pear on Plate
    Oil on canvas
    canvas size: h. 12.5 x w. 18 cm
    frame size: h. 37 x w. 41 cm
    £ 550.00
  • Three Jugs with Fruit
    Tony Scrivener
    Three Jugs with Fruit, 2018
    oil on paper
    signed to reverse
    image size: h. 46 x w. 38 cm
    framed size: h. 70 x w. 63 cm
    £ 1,150.00
  • Chopping Board
    Tony Scrivener
    Chopping Board, 2014
    mixed media on paper
    signed by the artist
    image size: h. 29 x w. 29 cm
    framed size: h. 53 x w. 53 cm
    £ 950.00
  • Mug, Jug, Bottle and Plate with Fruit
    Tony Scrivener
    Mug, Jug, Bottle and Plate with Fruit, 2012
    Mixed media on paper.
    Signed, titled, and dated to label verso.
    Size: h. 46 x w. 38 cm.
    Frame: h. 70.5 x w. 63 cm.
    £ 1,150.00
  • Falling Tulips No. 4
    Tony Scrivener
    Falling Tulips No. 4, 2014
    mixed media on paper
    Tony Scrivener
    h. 23.5 x w. 28 cm
    £ 900.00
Overview

"Still life paintings can be intimate or monumental: often anthropomorphic, they also refer to human presence by its absence. The negative spaces are as important as the positive and their relationship to one another – distance apart, weight, and colour – are necessarily considered."

‘With still life, there is a paradox in the way the ubiquitous becomes unique, and the individual becomes universal, and this is what makes it such an absorbing genre. Still life paintings can be intimate or monumental: often anthropomorphic, they also refer to human presence by its absence. The negative spaces are as important as the positive and their relationship to one another – distance apart, weight, and colour – are necessarily considered.

 

‘My home and studio are full of objects – domestic ceramics, dried fruit, flowers or vegetables, and found objects – anything where shape, colour or pattern appeal to me. How they are positioned or placed in relationship to one another stimulate my imagination and they become the subject of my still life paintings: frequently with motifs borrowed from one object for another. They begin life as drawings, either on card or paper or, more immediately, on canvas directly from observation in my studio.  

 

‘Each time different issues need resolving or line, form and colour generate their own mood or feeling. Ultimately it is the energy and tensions of composition that define each painting.’

 

Born in London in 1944, Tony has painted professionally since moving to Dorset in 1970. He studied at Bournemouth and Poole College of Art and went on to gain a first class BA (Hons) degree through the Open University in 1999.  Tony has exhibited extensively in the southeast and London – regularly at the Royal Academy Summer Show. His paintings are widely collected by corporate and private collectors, in the UK, Europe and the USA.

Exhibitions