Tommy Rowe British, b. 1941
‘What has interested me, is not so much the single form, as that form in relationship to another. I first became aware of this during life drawing at Corsham, how the curves of shoulders., arms, knees etc. related to shapes around them. The curves of a shoulder to the straight line of a wall. The rocks on the cliffs that sit on one another or lie next to one another or have been split by frost. Going up and down the coast while fishing, looking ashore and seeing the huge boulders that have fallen and cracked, the weight of these rocks.'
‘The sculptor Denis Mitchell came to teach part time and I started carving. It was then that Denis took me up to see Barbara Hepworth and ask if she would be willing to take me on. This she agreed to at the wage of 5 shillings an hour (equivalent of 25p today!). This was double what Denis was able afford to pay. Barbara taught me to carve marble and work with Plaster of Paris. She showed me how to work forms and purify them. She would caress the form with her hands and mark surfaces with a cross for a hollow and a circle as a high, or what she would describe as “an invisible hummock”. In the morning you would find your piece of work covered with circles and crosses, and arrows indicating which way the form should be worked. This went on until she was satisfied the form was perfect.'
‘My grandfather and great grandfather and their brothers and uncles and sons were all fishermen, so I was always surrounded by boats and things to do with boats. As a child we made and sailed model boats, we played at boats and went aboard the boats in the harbour when the men were not around. We would watch the boats going to sea. In the holidays, if the weather was fine, we could go to sea with them overnight. We knew all the boats and could name them all. As many as 60 or 70 boats would go to sea from Newlyn and we would watch them passing Mousehole and name them all.'
1941 Born in Mousehole, Cornwall
1957 Met Denis Mitchell who taught part-time in the art department at Penzance grammar school 1958 Started working with Denis Mitchell during school holidays
1959 Started working for Barbara Hepworth during school holidays
1960–63 - Student at Bath Academy of Art, Corsham. Studied sculpture under John Hoskin and John Ernest while working for Barbara Hepworth during holidays
1963 onwards Began producing his own work and exhibited at Penwith Gallery, St Ives and Marjorie Parr Gallery, London
1963–65 Worked full-time as an assistant to Barbara Hepworth
1965–66 Left Barbara Hepworth to work in timber felling in North Wales
1967 Started fishing and working part-time with Denis Mitchell. Also during this time worked for John Milne part-time and did some work for Robert Adams. Worked with Denis Mitchell until his death in 1993
1993–97 Finishing casts of work by Denis Mitchell
1997–2009 - Fishing and making sculpture
2009 Moved up to the West Coast of Scotland (Lochailort) and continues to fish and make sculpture
WINTER GLOWA glittering showcase of winter delights 3 Dec 2021 - 5 Feb 2022Showcasing precious handpicked offerings by guest and gallery artists, including: Ann Armitage's rich still life paintings; Michael Thacker's hand-carved stone sculptures embellished with 24k gold; Sotis Filippides' ceramic bowls lined...
PENWITH RHYTHMS: ANCIENT AND SACRED LANDSCAPECornwall’s Prehistoric landscape is the focus of this exhibition of guest artists’ works 23 Oct - 27 Nov 2021The dramatic landscape of west Cornwall has captured the imagination of writers and artists for three centuries, and now this ancient and sacred landscape is explored and celebrated anew in...