Waistel Cooper Scottish, 1921-2003

Works
  • Waistel Cooper
    Rotund Vase with Flared Lip
    Thrown rough stoneware with manganese-speckled interior glaze.
    Signed to the base.
    H. 14.5 x Dia. 15.5 cm.
  • Waistel Cooper
    Large Baluster Lamp Base of Globular Form, 1950s/60s
    Thrown stoneware with glossy brown and ash glazes.
    Signed to the base.
    H 22.5 x Dia 24 cm.
  • Waistel Cooper
    Rotund Vase with Flared Lip
    Thrown rough stoneware with an iron- and cream-glazed surface.
    Signed to the base.
    H 15 x Dia 17.5 cm.
Overview

 “It was a strange happening, but from the first moment I put my hands in clay I was hooked.”

Waistel Cooper was an influential figure in the post-war studio pottery movement, playing a key role in advancing modernist approaches within ceramics.

 

Born in Ayr, Scotland, he began his training in painting at Hospitalfield School of Art before earning a scholarship to study at Edinburgh College of Art.

 

Following the disruption of the Second World War, Cooper first turned to pottery while undertaking a portrait commission in Iceland. Soon after, he returned to England and, in 1950, established his own pottery studio in the village of Porlock, Somerset.

 

In August 1955, Henry Rothschild (1913–2009) presented Cooper’s first solo exhibition at his London gallery, Primavera. Although often mentioned alongside leading London-based studio potters such as Hans Coper and Lucie Rie, Cooper’s rural way of life set him apart from the capital’s prevailing trends. Reflecting on this, he noted a strong affinity with their shared focus on sculptural form and surface texture, distinguishing their work from the Japonaiserie influences associated with the Bernard Leach tradition. Cooper was aware of the work of the sculptors Barbara Hepworth and Henry Moore, and he was to have a lifelong interest in sculpture through ceramics, and produced a number of solid sculpted abstract forms.

 

In 1957, Cooper relocated to the nearby hamlet of Culbone, where he rebuilt his pottery. He lived and worked at Culbone Lodge for 25 years before moving to Penzance in 1982.

He died in Penzance on January 15, 2003, aged 81.

 

His work is now in permanent collections including the Royal Museum of Scotland and the Victoria and Albert in London.